It was beautiful spring weather, but neither dogs nor humans were aware of it. Each day the sun rose earlier and set later. It was dawn by three in the morning, and twilight lingered till nine at night. The whole long day was a blaze of sunshine. The ghostly winter silence had given way to the great spring murmur of awakening life. This murmur arose from all the land, fraught with the joy of living. It came from the things that lived and moved again, things which had been as dead and which had not moved during the long months of frost. The sap was rising in the pines. The willows and aspens were bursting out in young buds. Shrubs and vines were putting on fresh garbs of green. Crickets sang in the nights, and in the days all manner of creeping, crawling things rustled forth into the sun. Partridges and woodpeckers were booming and knocking in the forest. Squirrels were chattering, birds singing, and overhead honked the wild fowl driving up from the south in cunning wedges that split the air.
Jack London, The Call of the Wild
Sherry Barn + stables experiment, Beauty Ranch
Cacti cattle feed experiment
Distillery for horse-drawn farm equipment
Perhaps it is because of the practical life I have lived that I worship utility and have come to believe that utility and beauty should be one, and that there is no utility that need not be beautiful. What finer beauty than strength—whether it be airy steel, or massive masonry, or a woman’s hand? A plain black leather strap is beautiful. It is all strength and all utility, and it is beautiful. It efficiently performs work in the world, and it is good to look upon. Perhaps it is because it is useful that it is beautiful. I do not know. I sometimes wonder. […]
I am still a long way from the house I have in my mind some day to build, yet I have arrived somewhere. I have discovered, to my own satisfaction at any rate, that beauty and utility should be one. In applying this general idea to the building of a house, it may be stated in another and better way; namely, construction and decoration must be one. This idea is more important than the building of the house, for without the idea the house so built is certain to be an insult to intelligence and beauty- love.
an empty stable
the rusty bones of a plow
hot dust settling
Speaking of homes, I am building one now [Wolf House], and I venture to assert that very few homes have received more serious thought in the planning. Let me tell you about it. In the first place, there will be no grounds whatever, no fences, lawns, nor flowers. Roughly, the dimensions will be forty-five feet by fifteen. That is, it will be fifteen feet wide at its widest — and, if you will pardon the bull, it will be narrower than it is wide.
The details must submit to the general plan of economy. There will be no veranda, no porch entrances, no grand staircases. I’m ashamed to say how steep the stairways are going to be. The bedrooms will be seven by seven, and one will be even smaller. A bedroom is only good to sleep in, anyway. There will be no hallway, thank goodness. Rooms were made to go through. Why a separate passage for traffic?
“The House Beautiful”, Revolution & Other Essays, 1909
one narrow, thatched hall
between rooms for books & sleep—
They passed a large and comfortable farmhouse, surrounded by wandering barns and cow-sheds, went on under forest arches, and emerged beside a field with which Saxon was instantly enchanted. It flowed in a gentle concave from the road up the mountain, its farther boundary an unbroken line of timber. The field glowed like rough gold in the approaching sunset, and near the middle of it stood a solitary great redwood, with blasted top suggesting a nesting eyrie for eagles. The timber beyond clothed the mountain in solid green to what they took to be the top. But, as they drove on, Saxon, looking back upon what she called her field, saw the real summit of Sonoma towering beyond, the mountain behind her field a mere spur upon the side of the larger mass.
Ahead and toward the right, across sheer ridges of the mountains, separated by deep green canyons and broadening lower down into rolling orchards and vineyards, they caught their first sight of Sonoma Valley and the wild mountains that rimmed its eastern side. To the left they gazed across a golden land of small hills and valleys. Beyond, to the north, they glimpsed another portion of the valley, and, still beyond, the opposing wall of the valley– a range of mountains, the highest of which reared its red and battered ancient crater against a rosy and mellowing sky. From north to southeast, the mountain rim curved in the brightness of the sun, while Saxon and Billy were already in the shadow of evening. He looked at Saxon, noted the ravished ecstasy of her face, and stopped the horses. All the eastern sky was blushing to rose, which descended upon the mountains, touching them with wine and ruby. Sonoma Valley began to fill with a purple flood, laying the mountain bases, rising, inundating, drowning them in its purple. Saxon pointed in silence, indicating that the purple flood was the sunset shadow of Sonoma Mountain. Billy nodded, then chirruped to the mares, and the descent began through a warm and colorful twilight.
Eucalyptus wharf pile experiment
So they idled their way north up the broad, fertile valley, so happy that they forgot that work was ever necessary, while the valley of the moon was a golden dream, remote, but sure, some day of realization.
“We don’t want to be rich,” she said. “Let them hunt their white sparrows in the Sacramento islands and the irrigation valleys. When we get up early in the valley of the moon, it will be to hear the birds sing and sing with them. And if we work hard at times, it will be only so that we’ll have more time to play. And when you go swimming I ‘m going with you. And we’ll play so hard that we’ll be glad to work for relaxation.”
The Valley of the Moon
glides above empty pig stalls—
an indifferent shade